Features

The Trump administration’s offensive against evidence-based research is making clear, accurate reporting on science more important than ever — because people who understand how scientific research works and what it tells us are less likely to be duped by misinformation or pseudoscience. SciLine director Matt DeRienzo on the challenges of the time and new resources to help journalists understand and explain evidence-based research.

Industry experts and government regulators have long known that radionuclides reside in oil and natural gas. Yet radioactive emissions and waste continue to threaten the lives of workers and community members across the country. Investigative journalist Justin Nobel on the opportunities and urgent need for reporters to drill into a story steeped in questions of accountability, health and justice.

How can environmental reporters best cover the upheavals of a second Trump administration? SEJournal commissioned a special analysis to draw on the experience of reporters who were there to chronicle the first. Contributing editor Jennifer Weeks spoke to more than half a dozen news veterans of Trump’s earlier environmental and energy policy initiatives, with insights and tips on how to handle what’s ahead.

To many, plants are a merely green backdrop, indistinguishable and inconsequential. But, freelancer Karen Mockler says that such “plant blindness” belies an urgent need for our notice. More than a third of the world’s trees and thousands of other plant species face extinction. Their plight — and their many blessings — offer perceptive journalists a wealth of reporting and storytelling opportunities. Mockler on why to write about plants.

Many journalists can’t imagine themselves writing an opinion piece, but veteran reporter Tim Wheeler suggests they reconsider. With public distrust of news media mounting and government willingness to inform plummeting, Wheeler says it’s more important than ever for journalists to explain what they do and why it matters. Advice and an annotated example: How to put on the opinion writer’s hat.

Stories focused on nonhuman animals are a quintessential part of environmental journalism. But how writers approach these stories is evolving, in step with changing views about animal consciousness and agency. Science journalist and author Karen Pinchin explores this trend and talks about anthropomorphism, anthropodenialism, metaphors, language, writing from the perspective of animal protagonists and more.

Illicit trade in wild animals and plants is a billion-dollar global business that threatens biodiversity and human health. Endless reporting opportunities range from exposing corruption and criminal networks to debunking claims about products derived from endangered species. Journalist Rene Ebersole shares insights from her 20 years on the trail of wildlife smugglers, poachers and other environmental lawbreakers — and introduces a new nonprofit dedicated to this beat.

Getting people excited about large, charismatic wildlife is easy, but tiny, little-known or less-than-lovable species can be a tough sell. Journalists Bethany Brookshire and Douglas Main on why it’s important to include oddball organisms in your reporting and how to get audiences engaged. Pro tip: Building curiosity and caring for minor-league creatures often means being a bit self-centered.

What if the news, instead of inducing fear or anxiety, was rewarding for the brain? That question sparked the creation of a novel, game show–inspired approach to helping journalists unlock new ways of reporting, using healthier, more holistic communication techniques. Drawing on research from neuroscience, community psychology and journalism, “Jourpardy” offers fresh perspectives on how to avoid doom-and-gloom reporting.

Biodiversity loss can seem like a remote and abstract problem that pales in comparison to climate worries. But award-winning author David Quammen sees them as coequal threats, along with emerging diseases, and encourages journalists to illuminate the relationships between them. His advice includes getting out of big cities to see the extinction crisis firsthand and weaving humor and hope into your writing.